Fantastic poster for Infotag 2010 by Cybu Richli & Fabienne Burri  Antidote - exhibition, which is devoted to French and foreign artists. have produced a catalogue of the works with a surprising twist. Polish Cinema Now Truly an amazing concept; calenclock by BLOW STUDIOS.  Beautiful Identity for Attido Applications by BOND.  Pentagram’s Harry Pearce was asked by Sanky from AllofUs, last year’s D&AD President, to design the 2011 D&AD Annual. The D&AD mark is shown at scale on the Annual’s cover to allow, through a brilliantly intriguing photograph by Richard Foster, an exploration of the unreality of the planes, the spaces and perspectives that lie within the mark’s form. The most interesting thing about the new Annual however, is it’s dedication to a more sustainable form of publishing. Pearce worked with Nat Hunter from Airside and the team researched materials and processes to ensure that this book is the most sustainably produced D&AD Annual ever. Production The team started by looking at the sources of each material needed to manufacture the Annual. Instead of cheap pulp from South America, the book uses 100% recycled material from Austria, sourced locally to Lenzing’s Austrian plant, which has the highest international environmental standard (ISO 14,001). This pulp was manufactured into wood free, 80gsm compostable paper. By making the paper stock as light a possible, the team was able to save almost a kilo in weight from the 2010 Annual, driving down shipping costs and the paper’s carbon footprint. The decision was made to leave the paper uncoated, further reducing the weight. Producing the paper in Austria  - where 70% of electricity comes from Hydro power  - also had a dramatic impact on overall carbon reduction (see stats below).  The paper was driven by road to Trento in Italy for binding and printing. The distances travelled were vastly reduced compared to the usual method of shipping and air freighting the heavy books by air from China. Additionally, the lighter paper meant a smaller load, fewer vehicles and less fuel consumption.  The inks used for printing were vegetable based, minimising the damage to waterways caused by chemical run off from traditional printing compounds. The pages were then bound in 100% recycled board, covered in FSC sourced paper, and laminated with a cellulose finish. Loving these flyers for Arts Santa Monica (via cla-se / Claret Serrahima) A very interesting and beautiful book exploring sound in graphic design Hearing Spectrum by New york whynotsmile Hearing Spectrum instigates communication in public spaces through sound visualization. This intervention through graphic design encourages audiences to experience, re-observe, and re-shape spaces and environments through their own perspectives, informed by their senses and immediate experience. The ultimate ambition is to facilitate a less isolated, more interactive urban experience—to build a breathing city full of new resonance.